Robinson's Justice

-- By SamanthaLiTrenta - 15 Feb 2012

Introduction

Robinson calls his imagined prisoner/lawyer metamorphosis “a form of exacting justice.” Robinson does not elaborate, but his meaning may be able to be determined by re-reading the chapter in light of his ending declaration. After all, the title of the piece is “Robinson’s Metamorphosis,” despite the metamorphosis being explicitly mentioned only at the very end, suggesting Robinson is actually discussing it throughout.

What Comes Down is Vulgar

Robinson says it “fucking amazes” him “how little anyone who isn’t a lawyer really knows about what comes down,” but he implies even those who are lawyers know very little “about what comes down.” When Robinson relates his exchange with the young federal prosecutor who asked him not to be so vulgar, his annoyance does not stem from injury to his pride at being reprimanded, but from the young lawyer’s naïveté. The world is vulgar, Robinson points out, with its “[t]wo million murders a century” and “all those neat little, quote unquote, nonviolent felonies committed by our sisters and brothers over here in the World Financial Center.” Robinson is attempting to plea bargain for his client, whose fingers have been cut off, yet the vulgarity that concerns the young federal prosecutor is Robinson’s language.

Robinson’s companion, too, is out of touch. Robinson is shocked to learn his friend, also a lawyer, has never been inside a prison. Robinson has to explain to his friend what Rikers is like, has to illustrate the vulgarity of the world by asking, “Do you know how many children every day are getting smacked to death? How many skulls are being fucking crushed?” Robinson’s questions may be rhetorical, but it seems a safe bet the companion would not be able to answer them. The friend’s sparse knowledge “about what comes down” is revealed again when he asks “What are murderers like? … No, really. What are they like?”

Out for Blood

Despite lacking knowledge of what life is like for most people, it is lawyers who often control their fates. The Assistant United States Attorney whose house was broken into knows only that his life was interrupted by someone he sees only as a criminal. By Robinson’s analysis, the AUSA’s own career was the only reason he did not kill the boy by shooting him.

The AUSA tries to “kill” him another way, however: through the justice system. Robinson says, “One thing, though, is absolutely clear. Our D.A. wants our young American—well, to put it in the vernacular of the street—dead. He quite simply wants him dead.” The Manhattan ADA assigned to the case, meanwhile, “she is thinking blood.” If the AUSA and the ADA knew what Robinson knew—that the kid was not bad, but dumb, that his father had given up on him—would they still have been out for blood?

Exacting Justice

Robinson’s form of justice, then, would be for the lawyers to wake up as prisoners and truly see the world in which they detachedly operate. Robinson highlights the insider/outsider nature of the prisoner/lawyer relationship when he describes Rikers to his companion. He lists the aspects of Rikers one would cite as evidence of prison being too cushy: “I bet you didn’t know it has its own bakery—croissants for breakfast! Its own mental health facility—free psychotherapy! A full-time tailor—buttons sewed on for free!” then juxtaposes these with, “Your classmates stick razor blades up their asses so they’ll have access to a weapon if things get rough.” It is also worth noting that Robinson does not consider it potentially dangerous to switch the prisoners and lawyers, indicating he does not believe there is much difference—if any—in the “degrees of vermin” that lawyers and prisoners are.

Robinson’s conceived metamorphosis does involve the prisoners and lawyers switching back, implying the purpose of the switch is not punishment for the lawyers. The purpose, instead, is realization. Robinson says, “Any undertaker will tell you that never get the smell completely out of a tomb.” The analogy of a tomb to a jail is made evident in the piece. The lawyers will never forget the smell of the tomb, meaning they will never forget their experiences in the prisons. The “smell” will stay with the lawyers forever, bringing them where Robinson believes they should be—fully knowledgeable “about what comes down.”