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META TOPICPARENT | name="SecondEssay" |
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< < | Author's Note: Stanza formatting is wrong. Each block should be six lines (8 syllables-5 syllables-8-4-4-9). |
> > |
UPDATE: I fixed the stanza formatting, but still have no idea how to make an apostrophe appear.
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| The Seventeenth |
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< < | One last step completes the picture— |
> > | One last step completes the picture- |
| This, the seventeenth.
Fill out all the jagged borders.
Color empty.
Back to tonic.
Pull the shade in this, the seventeenth. |
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< < | Blinding flash and gates reopened— |
> > | Blinding flash and gates reopened- |
| Ushered to the ball.
Here, a map to acclamation.
New seeds planted
In the moist dirt,
Watered in August before the Fall. |
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< < | The sun, the gifts, the folderol— |
> > | The sun, the gifts, the folderol- |
| Debts unpaid made light.
Reminded in the waking hours
Of the privilege
And the valor.
The slow self-immolation at night. |
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< < | Nose to stone you learn the language— |
> > | Nose to stone you learn the language- |
| Build to the veneer.
Blinking, blinking—never seeing
That which causes
Senseless blinking.
Never once appreciating fear. |
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< < | Choices made without your input— |
> > | Choices made without your input- |
| Learn to own the toil.
Now, begin to reap the harvest:
Choose from those they
Lay before you,
Failing to recognize your own soil. |
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< < | Agency in precious context— |
> > | Agency in precious context- |
| Find your place of work.
Green or blue or red or purple.
Pick a color,
Any color.
Otherwise, decide you are a clerk. |
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< < | Strapped into the rails established— |
> > | Strapped into the rails established- |
| Keep out of the dark.
Should you walk the path unbeaten,
You may find a
Most unsettling
Open field—your own unnat’ral Arc. |
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< < | Shy away from self-inspection— |
> > | Shy away from self-inspection- |
| Something for the pain.
Pour it heavy—pour it three times.
Feed the demons,
Calm the tremors,
Soak the soil with your new brand of stain. |
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< < | Put your heroes off to the side— |
> > | Put your heroes off to the side- |
| No more vacancies. |
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< < | Put your lovers off to the side— |
> > | Put your lovers off to the side- |
| Love yourself or
Hate whatever.
Welcome: Emotional Vagrancies. |
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< < | Don the suit and play with players— |
> > | Don the suit and play with players- |
| Don’t look down inside.
Vertigo awaits the searcher.
Topsy turvy,
Turn back outward.
World turns too, and flattens out the slide. |
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< < | Make the “novel” calculation— |
> > | Make the “novel” calculation- |
| Give so you may take.
Keep one foot inside your conscience.
Come Reckoning,
You tell yourself:
The You that collects is not a fake. |
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< < | Find the strength to make your statement— |
> > | Find the strength to make your statement- |
| Strive to sing your song.
Take your bow with qualified pride:
Your voice is yours,
Your words are yours,
Your melody was theirs, all along. |
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< < | Look at people, all the people— |
> > | Look at people, all the people- |
| Go meet the partner.
Forge the bonds and make connections.
Look at people
Not as people.
Don’t forget to go meet your partner. |
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< < | Greet the dawn with trepidation— |
> > | Greet the dawn with trepidation- |
| Each day is a start.
Each start gains its paranoia
From the others,
From the silence
Beck’ning you to lock away your heart. |
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< < | Hundred vacant helpless helpers— |
> > | Hundred vacant helpless helpers- |
| Peerless peers who peer.
Does their silence spell compassion?
See me reaching.
Reach my ears and
Pull me from the loneliness of here. |
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< < | Moment’s peace of real connection— |
> > | Moment’s peace of real connection- |
| Cut down by the clock.
Substantive: the change of setting
Seems to bring out
Truth in walkers,
Notwithstanding vocational shock. |
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< < | Like your like likes like you liken— |
> > | Like your like likes like you liken- |
| Cut the thorough voice.
Keep it up and keep it down and
Limit yourself
To succinctness.
Time affords you something like a choice. |
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< < | Cull the trim from crust of psyche— |
> > | Cull the trim from crust of psyche- |
| Render what remains.
Suck and lap the twelve point spittle.
Churn the fingers,
Dilate pupils,
Gaze upon the floor at all your gains. |
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< < | Hop aboard with primed exub’rance— |
> > | Hop aboard with primed exub’rance- |
| Cars back from the helm.
Know not who conducts the engine
As you whistle
At the prospect
Of careening toward a murky realm. |
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< < | Shiny couth imagination— |
> > | Shiny couth imagination- |
| Lobbies filled with doors.
Queue up for the realignment.
The face remains
A bright signal
Powered by that prospect which restores. |
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< < | Buy into the buying into— |
> > | Buy into the buying into- |
| Strong memetic stride.
Comfort in the trail emblazoned
With the blazers’
Blazers that you
Hope can manufacture you some pride. |
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< < | Courting courts of every corpus— |
> > | Courting courts of every corpus- |
| Implicated brand.
Hold together how you they hold you,
Sweating missiles
As you yearn for
Anonymity, the far off land. |
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< < | Falling on the sword before you— |
> > | Falling on the sword before you- |
| Deep and wide, the Maw.
Not quite choking on the thinner
Layer of dust,
You come back up,
Gasping for perspective, tooth and claw. |
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< < | Hand in hand we keep toes pointed— |
> > | Hand in hand we keep toes pointed- |
| Wincing in the wind.
Drift apart, head facing downward,
Looking for the
Footsteps of the
Pack of Yesterday, before it thinned. |
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< < | Comes the last approach the first time— |
> > | Comes the last approach the first time- |
| Climb into the pit.
Wonder about others’ wond’rings:
Do they dabble?
Clean or ragged?
Who’s to say what you should not permit? |
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< < | Callous now the numbing ceases— |
> > | Callous now the numbing ceases- |
| Fool yourself tonight.
Shunt the negative suggestions,
Turning up to
Turn them down and
Make them know it’s not your place to fight. |
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< < | Guilt in droves at every angle— |
> > | Guilt in droves at every angle- |
| Let them make you up.
Keep that shred of confirmation
As you slink back
Into borrowed
Robes, still clenching someone else’s cup. |
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< < | Understand the farce unbreaking— |
> > | Understand the farce unbreaking- |
| Mass hypnotic march.
Who among us won’t point fingers?
Who among us
Won’t point fingers
Out from under cover of the arch? |
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< < | Empty eyes and salutations— |
> > | Empty eyes and salutations- |
| Title in a sound.
Chuckle through insipid greetings
Not quite present,
Half-perceptive,
Playing part and party from the ground. |
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< < | At the altar of your oneness— |
> > | At the altar of your oneness- |
| Gather round. All rise.
Pray to those who offer righteous
Feeling with the
Tinge of bitter.
Prostrate now or rip off the disguise. |
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< < | Calling back the story spinners— |
> > | Calling back the story spinners- |
| Fein the valor look.
Ride the costume from the collar,
Choking on the
Mem’ry of the
Fiction you once battled on the hook. |
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< < | Quiet now return to prior— |
> > | Quiet now return to prior- |
| Count the grays in spades.
Firm composure eking outward
Just until the
Morning calls to
Offer up the sausage on the blades. |
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< < | Soon we will shed all approval— |
> > | Soon we will shed all approval- |
| Take the step to then.
Cry out when the last bell’s finished.
Brassy round tones
Mark your essence,
Riding on the missive and the pen.
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< < | Shortened glance without a claim check— |
> > | Shortened glance without a claim check- |
| Witness your own gaze.
Take the time to check your sides, but
Never stop to
Stop or stop to
Try to see the haze as merely haze. |
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< < | One last step completes the picture— |
> > | One last step completes the picture- |
| This, the seventeenth.
Fill out all the jagged borders.
Color empty.
Back to tonic.
Pull the shade in this, the seventeenth. |
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> > | |
| \ No newline at end of file |