Law in Contemporary Society

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MollyMartinezFirstEssay 5 - 22 May 2023 - Main.MollyMartinez
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My Personal Disillusionment

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The Solution to My Personal Disillusionment

 -- By MollyMartinez - 18 Feb 2023
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SECOND REVISION:
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THIRD REVISION:
 I recently compared my two personal statements for law school and college to track my own educational trajectory.
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 My college essay began with the following: My story begins in the cotton fields of Texas. My grandma, born to a pair of poor immigrant workers, spent most of her day picking cotton. Her duty to her family came before all, including her education. With every bulb of cotton she picked, our lives began a new cycle. My abuela had my mother at a young age with a emotionally and physically abusive husband. The cycle would continue for generations. My mother, a high school dropout, married a drug addict and soon gave birth to my older brother. Soonafter, she fled in hopes of providing her children with a brighter future than she was afforded. Courage and perseverance run through my blood.
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 My personal statement for law school began with…
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“Mija, can you read this over for me?” Little did I know, my dad’s simple request on that ordinary fall day would forever alter the course of my life. His appeal came from a need for translation. My young cousin was on trial for a serious drug charge, and my dad was writing a character letter to the judge, a plea for mercy. My father felt inadequate to write such a significant letter and posed the task to me, his thirteen-year-old daughter. This was my first time translating for my community, but it would not be my last.
 
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“Mija, can you read this over for me?” Little did I know, my dad’s simple request on that ordinary fall day would forever alter the course of my life. His appeal came from a need for translation. My young cousin was on trial for a serious drug charge, and my dad was writing a character letter to the judge, a plea for mercy. My father felt inadequate to write such a significant letter and posed the task to me, his thirteen-year-old daughter. This was my first time translating for my community, but it would not be my last.
 As I read these back, I am struck by the sense of hope that I felt and the desire for societal change. Now, I sit with a sense of disillusionment with both. When I entered my first year of law school, Margaret Montoya’s Mascaras y Trenzas remained at the forefront of my mind. In her Harvard Law Review article, Montoya traces the duality of her experiences as one of the first Latina students at Harvard Law. She recognizes the dissonance between the black-letter law classes she takes and her background growing up as a Latina in the Southwest. In the article, she recounts her 1L experience as she struggled with reading a case in Criminal Law while removing her level of humanity. Her article ends with a powerful image of her delivering a speech at a legal educators conference where she embraces both English and her native tongue, Spanish. I first encountered this article during my first year of college, and I was struck by her optimism for the future. I shared this similar hope but soon began dreading the same masks I was learning to wear in law school. Masks provide the ability to navigate spaces traditionally made for white men. Masks that require me to separate my own empathetic being from the law I was learning. These masks link with my disillusionment about my law school journey as my desire to create a positive impact feels futile against the luring sirens of big law and wealth.
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The answer to my disenchantment may not lie within a text or even a course. It may be a disenchantment with the system at large. A potential solution is the possibility of discovering my own practice as a way to chart my pathway in the legal industry. Through my own economic agency with individual practice, I can begin to retire the different masks I wear and demonstrate my full identity.
 
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This disenchantment points to the larger question that Judge Celia Day poses in Lawyerland. There’s a distinction between lawyers and non-lawyers. Judge Day recalls in her conversation with her law clerk about the realization that lawyers view themselves as a distinct class from other individuals, with their knowledge as a sort of superpower. This superpower may be utilized for opposing forces when lawyers rely on what she classifies as “spin.” Lawyers spin the story to create lucrative narratives that advantage your agenda, and the courts do not serve as the balancing power. Instead, Day’s argument focuses on judges occupying an exclusive discretionary function. I felt vindicated in my disenchantment with the law after reading this text. If our judges don’t feel they possess the power to enact systemic change, why would I consider my law degree to offer that? At a larger scale, this disenchantment may be connected with the intense level of capitalism involved with the legal field. As discussed in Art Leff’s Swindling and Selling, Leff discusses the concept of a prisoner and the involved layers of selling in our market. Our market profits off this inherent competition level and our justice system's adversarial nature. Leff utilizes metaphors of plays to symbolize the multitude of characters that we all play in our markets as we attempt to maximize profits in a similar manner to the masks Montoya discusses. We must ask what masks we are creating in the law school classroom to utilize in our future careers as we transverse the marketplace. This points to the intersection of profit and pedagogy within our own microsystem.

The answer to my disenchantment may not lie within a text or even a course. It may be a disenchantment with the system at large. A potential solution is the possibility of discovering my own practice as a way to chart my pathway in the legal industry. Through my own economic agency with individual practice, I can begin to retire the different masks I wear. As my hopes for individualized practice hinge upon the desire to represent creatives in their negotiations with various business entities in the pursuit of the production and distribution of their art form, I hope to occupy the characteristics of a collaborator. My own practice will focus on making the necessary connections between the various actors involved in the entertainment industry while still keeping an eye on the needs of my smaller client. The collaborator should listen and adapt accordingly to best serve the group’s interest. Even as I serve others, I will continue thinking of how I may collaborate with others in my field. As I approach my career with authenticity, I plan to build out a more extensive network of colleagues I work with. This network will allow me to build up opportunities for both sides of mentorship.

The progress you made in the last paragraph shows why I suggested that you start the draft there. The past is where the first draft came from. The future is where the second raft should have been and the third draft can be.
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As my hopes for individualized practice hinge upon the desire to represent creatives in their negotiations with various business entities in the pursuit of the production and distribution of their art form, I hope to occupy the characteristics of a collaborator. My own practice will focus on making the necessary connections between the various actors involved in the entertainment industry while still keeping an eye for the needs of my smaller client. To accomplish this, I will take courses focused on dealmaking and negotiations. I will also explore opportunities for externships with private and public sector organizations as I seek to develop my business skills. My business skill development will center on some ideas discussed in our course, like navigating a capitalist marketplace as an individual practitioner.
 
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Naturally 150 words didn't give you enough space to address What, Where, With Whom, or How Much; Why is assumed to be knowable from your past and your "disillusionment." "Making the necessary connections between the various actors involved in the entertainment industry while still keeping an eye on the needs of my smaller client" is not What, because it does not contribute to your program of study. What your practice is supposed to do is What you need to learn in law school, To know what to put it your license, it helps to know what you need. "Plan[ning] to build a network" is absolutely right, but we need to know Who we need to meet in order to use the clout of the law school to meet them.
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Most importantly, these skills will further my ability to collaborate with others toward mutual goals. As a collaborator, I will listen and adapt accordingly to best serve the group’s interests. Even as I serve others, I will continue thinking of how I may collaborate with others in my field. As I approach my career with authenticity, I plan to build out a more extensive network of colleagues. I anticipate meeting a range of industry professionals: PR executives, label executives, creatives, and community members. To create these relationships, I will reach out to various organizations like the Entertainment and Media group of the New York State Bar Association. Furthermore, I will learn the art of connecting. As I continue my legal education, I am confident that one of the most significant skills a lawyer can develop is the ability to connect. Living in New York, the opportunities to connect with various artists and performers are plentiful. I will have the added benefit of attending concerts and galleries that pique my interest. As I grow this network, I can build up mentorship opportunities for both sides.
 
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So let's use a draft to get specific. What will your practice do? Where will you live and work? Who do you need to know in order to find clients, and provide services? How will your practice meet its and your economic requirements?
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Ultimately, a chain of mentorship will grow. Through the mentorship I receive, I will also mentor others. In a way, my community will be like an orchestra with various instruments and tonalities: all coming together to create a practice that returns me to my first love of the arts.
 
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Yes, your answers will be uncertain, early and wrong. But they will help you to understand what you need to learn in order to do what you want. Which is what law school ought to do for you, and absolutely will not do unless you make it.
 



MollyMartinezFirstEssay 4 - 18 May 2023 - Main.EbenMoglen
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META TOPICPARENT name="FirstEssay"
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It is strongly recommended that you include your outline in the body of your essay by using the outline as section titles. The headings below are there to remind you how section and subsection titles are formatted.
 

My Personal Disillusionment

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 As my hopes for individualized practice hinge upon the desire to represent creatives in their negotiations with various business entities in the pursuit of the production and distribution of their art form, I hope to occupy the characteristics of a collaborator. My own practice will focus on making the necessary connections between the various actors involved in the entertainment industry while still keeping an eye on the needs of my smaller client. The collaborator should listen and adapt accordingly to best serve the group’s interest. Even as I serve others, I will continue thinking of how I may collaborate with others in my field. As I approach my career with authenticity, I plan to build out a more extensive network of colleagues I work with. This network will allow me to build up opportunities for both sides of mentorship.
Added:
>
>
The progress you made in the last paragraph shows why I suggested that you start the draft there. The past is where the first draft came from. The future is where the second raft should have been and the third draft can be.

Naturally 150 words didn't give you enough space to address What, Where, With Whom, or How Much; Why is assumed to be knowable from your past and your "disillusionment." "Making the necessary connections between the various actors involved in the entertainment industry while still keeping an eye on the needs of my smaller client" is not What, because it does not contribute to your program of study. What your practice is supposed to do is What you need to learn in law school, To know what to put it your license, it helps to know what you need. "Plan[ning] to build a network" is absolutely right, but we need to know Who we need to meet in order to use the clout of the law school to meet them.

So let's use a draft to get specific. What will your practice do? Where will you live and work? Who do you need to know in order to find clients, and provide services? How will your practice meet its and your economic requirements?

Yes, your answers will be uncertain, early and wrong. But they will help you to understand what you need to learn in order to do what you want. Which is what law school ought to do for you, and absolutely will not do unless you make it.

 
You are entitled to restrict access to your paper if you want to. But we all derive immense benefit from reading one another's work, and I hope you won't feel the need unless the subject matter is personal and its disclosure would be harmful or undesirable.

MollyMartinezFirstEssay 3 - 25 Apr 2023 - Main.MollyMartinez
Line: 1 to 1
 
META TOPICPARENT name="FirstEssay"

It is strongly recommended that you include your outline in the body of your essay by using the outline as section titles. The headings below are there to remind you how section and subsection titles are formatted.

Line: 6 to 6
 

My Personal Disillusionment

-- By MollyMartinez - 18 Feb 2023

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SECOND REVISION:
 
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I recently compared my two personal statements for law school and college to track my own educational trajectory.
 
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Recently, I compared my two personal statements for law school and college to track my own educational trajectory.
>
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My college essay began with the following: My story begins in the cotton fields of Texas. My grandma, born to a pair of poor immigrant workers, spent most of her day picking cotton. Her duty to her family came before all, including her education. With every bulb of cotton she picked, our lives began a new cycle. My abuela had my mother at a young age with a emotionally and physically abusive husband. The cycle would continue for generations. My mother, a high school dropout, married a drug addict and soon gave birth to my older brother. Soonafter, she fled in hopes of providing her children with a brighter future than she was afforded. Courage and perseverance run through my blood.
 
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My college essay began with:

My story begins in the cotton fields of Texas. My grandma, born to a pair of poor immigrant workers, spent most of her day picking cotton. Her duty to her family came before all, including her education. With every bulb of cotton she picked, our lives began a new cycle. My abuela had my mother at a young age with a emotionally and physically abusive husband. The cycle would continue for generations. My mother, a high school dropout, married a drug addict and soon gave birth to my older brother. Soonafter, she fled in hopes of providing her children with a brighter future than she was afforded. Courage and perseverance run through my blood.
 My personal statement for law school began with…
Added:
>
>
“Mija, can you read this over for me?” Little did I know, my dad’s simple request on that ordinary fall day would forever alter the course of my life. His appeal came from a need for translation. My young cousin was on trial for a serious drug charge, and my dad was writing a character letter to the judge, a plea for mercy. My father felt inadequate to write such a significant letter and posed the task to me, his thirteen-year-old daughter. This was my first time translating for my community, but it would not be my last.
 
Deleted:
<
<
“Mija, can you read this over for me?” Little did I know, my dad’s simple request on that ordinary fall day would forever alter the course of my life. His appeal came from a need for translation. My young cousin was on trial for a serious drug charge, and my dad was writing a character letter to the judge, a plea for mercy. My father felt inadequate to write such a significant letter and posed the task to me, his thirteen-year-old daughter. This was my first time translating for my community, but it would not be my last.

As I read these back, I am struck by the sense of hope that I felt and the desire for societal change. Now, I sit with a sense of disillusionment with both When I entered my first year of law school, Margaret Montoya’s Mascaras y Trenzas remained at the forefront of my mind. In her Harvard Law Review article, Montoya traces the duality of her experiences as one of the first Latina students at Harvard Law. She recognizes the dissonance between the black-letter law classes she takes and her personal background growing up as a Latina in the Southwest. In the article, she recounts her 1L experience as she struggled with reading a case in Criminal Law while also removing her own level of humanity. Her article ends with a powerful image of her delivering a speech at a legal educators conference where she embraces both English and her native tongue, Spanish. I first encountered this article during my freshman year of college, and I was struck by her optimism for the future. I shared this similar hope, but I soon began to dread the same masks that I was learning to wear in law school. Masks provide the ability to navigate spaces that were traditionally made for white men. Masks that require me to separate my own empathetic being from the law I was learning. These masks link with the disillusionment that I feel about my own law school journey as my desire to create a positive impact feels futile against the luring sirens of big law and wealth.

Identity conflict is almost unavoidable in the first year of law school. That means, of course, different things to different identities, within and among us. No individual experiences are just like any others. But "disillusionment" occurs very often, and has connected roots. One could teach around it, I believe, if helping students learn how to form their professional identities were regarded as a fit subject of teaching. So I do, whether it is so regarded or not.

This disenchantment points to the larger question that Judge Celia Day poses in Lawyerland. There’s a distinction between lawyers and non-lawyers. Judge Day recalls in her conversation with her law clerk about the realization that lawyers view themselves as a distinct class from other individuals, with their knowledge as a sort of superpower. This superpower may be utilized for negative forces when lawyers rely on what she classifies as “spin.” Lawyers spin the story to create lucrative narratives that advantage your agenda, and the courts do not serve as the balancing power. Rather, Day’s argument focuses on the fact that judges occupy an exclusive discretionary function. Upon my first reading of this text, I felt vindicated in my disenchantment with the law. If our judges don’t feel they possess the power to enact systemic change, why would I consider my law degree to offer that?

 
Changed:
<
<
At a larger scale, this disenchantment may be connected with the intense level of capitalism involved with the legal field. As discussed in Art Leff’s Swindling and Selling, Leff discusses the concept of a prisoner and the involved layers of selling in our market. Our market profits off this inherent level of competition and the adversarial nature of our justice system. Leff utilizes metaphors of plays to symbolize the multitude of characters that we all play in our markets as we attempt to maximize profits, in a similar manner to the masks that Montoya discusses. This points to the intersection of profit and pedagogy within our own microsystem.
>
>
As I read these back, I am struck by the sense of hope that I felt and the desire for societal change. Now, I sit with a sense of disillusionment with both. When I entered my first year of law school, Margaret Montoya’s Mascaras y Trenzas remained at the forefront of my mind. In her Harvard Law Review article, Montoya traces the duality of her experiences as one of the first Latina students at Harvard Law. She recognizes the dissonance between the black-letter law classes she takes and her background growing up as a Latina in the Southwest. In the article, she recounts her 1L experience as she struggled with reading a case in Criminal Law while removing her level of humanity. Her article ends with a powerful image of her delivering a speech at a legal educators conference where she embraces both English and her native tongue, Spanish. I first encountered this article during my first year of college, and I was struck by her optimism for the future. I shared this similar hope but soon began dreading the same masks I was learning to wear in law school. Masks provide the ability to navigate spaces traditionally made for white men. Masks that require me to separate my own empathetic being from the law I was learning. These masks link with my disillusionment about my law school journey as my desire to create a positive impact feels futile against the luring sirens of big law and wealth.
 
Deleted:
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<
This paragraph should be clearer.
 
Changed:
<
<
The answer to my disenchantment may not lie within a text or even a course. It may be a disenchantment with the system at large. A potential solution may include the possibility of discovering my own practice as a way to chart my own pathway in the legal industry. Through my own economic agency with an individual practice, I can begin to retire the different masks I wear.
>
>
This disenchantment points to the larger question that Judge Celia Day poses in Lawyerland. There’s a distinction between lawyers and non-lawyers. Judge Day recalls in her conversation with her law clerk about the realization that lawyers view themselves as a distinct class from other individuals, with their knowledge as a sort of superpower. This superpower may be utilized for opposing forces when lawyers rely on what she classifies as “spin.” Lawyers spin the story to create lucrative narratives that advantage your agenda, and the courts do not serve as the balancing power. Instead, Day’s argument focuses on judges occupying an exclusive discretionary function. I felt vindicated in my disenchantment with the law after reading this text. If our judges don’t feel they possess the power to enact systemic change, why would I consider my law degree to offer that? At a larger scale, this disenchantment may be connected with the intense level of capitalism involved with the legal field. As discussed in Art Leff’s Swindling and Selling, Leff discusses the concept of a prisoner and the involved layers of selling in our market. Our market profits off this inherent competition level and our justice system's adversarial nature. Leff utilizes metaphors of plays to symbolize the multitude of characters that we all play in our markets as we attempt to maximize profits in a similar manner to the masks Montoya discusses. We must ask what masks we are creating in the law school classroom to utilize in our future careers as we transverse the marketplace. This points to the intersection of profit and pedagogy within our own microsystem.
 
Changed:
<
<
The next draft should begin here. It is time to start discovering the practice.
>
>
The answer to my disenchantment may not lie within a text or even a course. It may be a disenchantment with the system at large. A potential solution is the possibility of discovering my own practice as a way to chart my pathway in the legal industry. Through my own economic agency with individual practice, I can begin to retire the different masks I wear. As my hopes for individualized practice hinge upon the desire to represent creatives in their negotiations with various business entities in the pursuit of the production and distribution of their art form, I hope to occupy the characteristics of a collaborator. My own practice will focus on making the necessary connections between the various actors involved in the entertainment industry while still keeping an eye on the needs of my smaller client. The collaborator should listen and adapt accordingly to best serve the group’s interest. Even as I serve others, I will continue thinking of how I may collaborate with others in my field. As I approach my career with authenticity, I plan to build out a more extensive network of colleagues I work with. This network will allow me to build up opportunities for both sides of mentorship.
 



MollyMartinezFirstEssay 2 - 26 Feb 2023 - Main.EbenMoglen
Line: 1 to 1
 
META TOPICPARENT name="FirstEssay"
Deleted:
<
<
 It is strongly recommended that you include your outline in the body of your essay by using the outline as section titles. The headings below are there to remind you how section and subsection titles are formatted.
Line: 10 to 9
 

Recently, I compared my two personal statements for law school and college to track my own educational trajectory.

Changed:
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My college essay began with… “My story begins in the cotton fields of Texas. My grandma, born to a pair of poor immigrant workers, spent most of her day picking cotton. Her duty to her family came before all, including her education. With every bulb of cotton she picked, our lives began a new cycle. My abuela had my mother at a young age with a emotionally and physically abusive husband. The cycle would continue for generations. My mother, a high school dropout, married a drug addict and soon gave birth to my older brother. Soonafter, she fled in hopes of providing her children with a brighter future than she was afforded. Courage and perseverance run through my blood.”
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My college essay began with:

My story begins in the cotton fields of Texas. My grandma, born to a pair of poor immigrant workers, spent most of her day picking cotton. Her duty to her family came before all, including her education. With every bulb of cotton she picked, our lives began a new cycle. My abuela had my mother at a young age with a emotionally and physically abusive husband. The cycle would continue for generations. My mother, a high school dropout, married a drug addict and soon gave birth to my older brother. Soonafter, she fled in hopes of providing her children with a brighter future than she was afforded. Courage and perseverance run through my blood.
 My personal statement for law school began with…
Changed:
<
<
“Mija, can you read this over for me?” Little did I know, my dad’s simple request on that ordinary fall day would forever alter the course of my life. His appeal came from a need for translation. My young cousin was on trial for a serious drug charge, and my dad was writing a character letter to the judge, a plea for mercy. My father felt inadequate to write such a significant letter and posed the task to me, his thirteen-year-old daughter. This was my first time translating for my community, but it would not be my last.”
>
>
“Mija, can you read this over for me?” Little did I know, my dad’s simple request on that ordinary fall day would forever alter the course of my life. His appeal came from a need for translation. My young cousin was on trial for a serious drug charge, and my dad was writing a character letter to the judge, a plea for mercy. My father felt inadequate to write such a significant letter and posed the task to me, his thirteen-year-old daughter. This was my first time translating for my community, but it would not be my last.
  As I read these back, I am struck by the sense of hope that I felt and the desire for societal change. Now, I sit with a sense of disillusionment with both When I entered my first year of law school, Margaret Montoya’s Mascaras y Trenzas remained at the forefront of my mind. In her Harvard Law Review article, Montoya traces the duality of her experiences as one of the first Latina students at Harvard Law. She recognizes the dissonance between the black-letter law classes she takes and her personal background growing up as a Latina in the Southwest. In the article, she recounts her 1L experience as she struggled with reading a case in Criminal Law while also removing her own level of humanity. Her article ends with a powerful image of her delivering a speech at a legal educators conference where she embraces both English and her native tongue, Spanish. I first encountered this article during my freshman year of college, and I was struck by her optimism for the future. I shared this similar hope, but I soon began to dread the same masks that I was learning to wear in law school. Masks provide the ability to navigate spaces that were traditionally made for white men. Masks that require me to separate my own empathetic being from the law I was learning. These masks link with the disillusionment that I feel about my own law school journey as my desire to create a positive impact feels futile against the luring sirens of big law and wealth.
Added:
>
>
Identity conflict is almost unavoidable in the first year of law school. That means, of course, different things to different identities, within and among us. No individual experiences are just like any others. But "disillusionment" occurs very often, and has connected roots. One could teach around it, I believe, if helping students learn how to form their professional identities were regarded as a fit subject of teaching. So I do, whether it is so regarded or not.

  This disenchantment points to the larger question that Judge Celia Day poses in Lawyerland. There’s a distinction between lawyers and non-lawyers. Judge Day recalls in her conversation with her law clerk about the realization that lawyers view themselves as a distinct class from other individuals, with their knowledge as a sort of superpower. This superpower may be utilized for negative forces when lawyers rely on what she classifies as “spin.” Lawyers spin the story to create lucrative narratives that advantage your agenda, and the courts do not serve as the balancing power. Rather, Day’s argument focuses on the fact that judges occupy an exclusive discretionary function. Upon my first reading of this text, I felt vindicated in my disenchantment with the law. If our judges don’t feel they possess the power to enact systemic change, why would I consider my law degree to offer that?
Added:
>
>
  At a larger scale, this disenchantment may be connected with the intense level of capitalism involved with the legal field. As discussed in Art Leff’s Swindling and Selling, Leff discusses the concept of a prisoner and the involved layers of selling in our market. Our market profits off this inherent level of competition and the adversarial nature of our justice system. Leff utilizes metaphors of plays to symbolize the multitude of characters that we all play in our markets as we attempt to maximize profits, in a similar manner to the masks that Montoya discusses. This points to the intersection of profit and pedagogy within our own microsystem.
Added:
>
>
This paragraph should be clearer.

  The answer to my disenchantment may not lie within a text or even a course. It may be a disenchantment with the system at large. A potential solution may include the possibility of discovering my own practice as a way to chart my own pathway in the legal industry. Through my own economic agency with an individual practice, I can begin to retire the different masks I wear.
Added:
>
>
The next draft should begin here. It is time to start discovering the practice.

 
You are entitled to restrict access to your paper if you want to. But we all derive immense benefit from reading one another's work, and I hope you won't feel the need unless the subject matter is personal and its disclosure would be harmful or undesirable.

MollyMartinezFirstEssay 1 - 18 Feb 2023 - Main.MollyMartinez
Line: 1 to 1
Added:
>
>
META TOPICPARENT name="FirstEssay"

It is strongly recommended that you include your outline in the body of your essay by using the outline as section titles. The headings below are there to remind you how section and subsection titles are formatted.

My Personal Disillusionment

-- By MollyMartinez - 18 Feb 2023

Recently, I compared my two personal statements for law school and college to track my own educational trajectory. My college essay began with… “My story begins in the cotton fields of Texas. My grandma, born to a pair of poor immigrant workers, spent most of her day picking cotton. Her duty to her family came before all, including her education. With every bulb of cotton she picked, our lives began a new cycle. My abuela had my mother at a young age with a emotionally and physically abusive husband. The cycle would continue for generations. My mother, a high school dropout, married a drug addict and soon gave birth to my older brother. Soonafter, she fled in hopes of providing her children with a brighter future than she was afforded. Courage and perseverance run through my blood.” My personal statement for law school began with… “Mija, can you read this over for me?” Little did I know, my dad’s simple request on that ordinary fall day would forever alter the course of my life. His appeal came from a need for translation. My young cousin was on trial for a serious drug charge, and my dad was writing a character letter to the judge, a plea for mercy. My father felt inadequate to write such a significant letter and posed the task to me, his thirteen-year-old daughter. This was my first time translating for my community, but it would not be my last.” As I read these back, I am struck by the sense of hope that I felt and the desire for societal change. Now, I sit with a sense of disillusionment with both When I entered my first year of law school, Margaret Montoya’s Mascaras y Trenzas remained at the forefront of my mind. In her Harvard Law Review article, Montoya traces the duality of her experiences as one of the first Latina students at Harvard Law. She recognizes the dissonance between the black-letter law classes she takes and her personal background growing up as a Latina in the Southwest. In the article, she recounts her 1L experience as she struggled with reading a case in Criminal Law while also removing her own level of humanity. Her article ends with a powerful image of her delivering a speech at a legal educators conference where she embraces both English and her native tongue, Spanish. I first encountered this article during my freshman year of college, and I was struck by her optimism for the future. I shared this similar hope, but I soon began to dread the same masks that I was learning to wear in law school. Masks provide the ability to navigate spaces that were traditionally made for white men. Masks that require me to separate my own empathetic being from the law I was learning. These masks link with the disillusionment that I feel about my own law school journey as my desire to create a positive impact feels futile against the luring sirens of big law and wealth. This disenchantment points to the larger question that Judge Celia Day poses in Lawyerland. There’s a distinction between lawyers and non-lawyers. Judge Day recalls in her conversation with her law clerk about the realization that lawyers view themselves as a distinct class from other individuals, with their knowledge as a sort of superpower. This superpower may be utilized for negative forces when lawyers rely on what she classifies as “spin.” Lawyers spin the story to create lucrative narratives that advantage your agenda, and the courts do not serve as the balancing power. Rather, Day’s argument focuses on the fact that judges occupy an exclusive discretionary function. Upon my first reading of this text, I felt vindicated in my disenchantment with the law. If our judges don’t feel they possess the power to enact systemic change, why would I consider my law degree to offer that? At a larger scale, this disenchantment may be connected with the intense level of capitalism involved with the legal field. As discussed in Art Leff’s Swindling and Selling, Leff discusses the concept of a prisoner and the involved layers of selling in our market. Our market profits off this inherent level of competition and the adversarial nature of our justice system. Leff utilizes metaphors of plays to symbolize the multitude of characters that we all play in our markets as we attempt to maximize profits, in a similar manner to the masks that Montoya discusses. This points to the intersection of profit and pedagogy within our own microsystem. The answer to my disenchantment may not lie within a text or even a course. It may be a disenchantment with the system at large. A potential solution may include the possibility of discovering my own practice as a way to chart my own pathway in the legal industry. Through my own economic agency with an individual practice, I can begin to retire the different masks I wear.


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Revision 5r5 - 22 May 2023 - 19:03:38 - MollyMartinez
Revision 4r4 - 18 May 2023 - 10:19:37 - EbenMoglen
Revision 3r3 - 25 Apr 2023 - 17:39:08 - MollyMartinez
Revision 2r2 - 26 Feb 2023 - 17:54:31 - EbenMoglen
Revision 1r1 - 18 Feb 2023 - 02:36:27 - MollyMartinez
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