Tony -- the pro-consumer view on making available might be sufficient: http://online.wsj.com/article/SB122966038836021137.html?mod=rss_whats_news_technology

Unfortunately, there is still substantial disagreement on the point and no appellate ruling. I'm not sure if this is a formal rule of law, but when you manage to fool a handful of district court judges you're probably out of Rule 11 territory.

Andrei -- as much as I'd like to lower it to $1, the content industry and its allies in legislatures would have a point in calling that an efficient breach too far. On the other hand, the new RIAA strategy (if it's to be believed) effectively gives up all statutory damages in favor of a privately administered pseudo-injunctive scheme.

-- DanielHarris - 19 Dec 2008

Maybe I'm missing something, but I thought that the "making available" charge was completely made up. Wouldn't just enforcing the law as it is be enough to curb the RIAA abuses? If you're litigating on a strategy that is bunk, and has been ruled to be so by judges, and doing it repeatedly, isn't that a Rule 11 violation? Also, on a case by case basis, all you need are a few complaints against printers (if the judge who receives the complaint sanctions the attorney on that particular case) and the quality of the representation of the RIAA will go way down. No one wants to be fined, censured and made unpopular amongst the printing and copying machinery community.

-- HamiltonFalk - 17 Dec 2008

Daniel, I'm not convinced that eliminating "making available" or even 106(3) entirely would have any effect on the RIAA's litigation strategy.

As you point out, knowledge is still discoverable. The RIAA could seek discovery from hosts or seeders on allegations of contributory infringement. Rule 11 only requires that factual allegations "will likely have evidentiary support after a reasonable opportunity for further investigation or discovery." While the RIAA has sent take-down notices to printers in the past, a fair proportion of the people they sue do probably share copyrighted content knowingly. That may not have been true 8 years ago, but fewer people today are truly clueless about the technical and legal details.

So long as we're modifying the copyright law anyway, why not simply lower the statutory damage minimum to $1 per work for non-commercial infringement?

-- AndreiVoinigescu - 17 Dec 2008

Steve,

Of course, I'd be delighted to effectively kill 106(3) for these small-time peer-to-peer cases. It would not definitively kill it, though--evidence of knowledge is still there and discoverable. Who installed the software (peoples' Kazaa usernames, as suits have shown, aren't always creative), who owned the computer when, when did the files get there, what is the user's sophistication, is the program "quiet?" Answering these questions requires effort and resources beyond the *AA's current shotgun approach to due process, but not prohibitive effort.

-- DanielHarris - 17 Dec 2008

I think that's exactly what he's saying, Steven.

-- KateVershov - 17 Dec 2008

I added a comment box into your page--I hope you don't mind.

I enjoyed reading your essay, and it gives a pretty simple straightforward description of the issues and why they're important. Regarding the knowledge requirement for 106(3)--wouldn't this in practice end the applicability of 106(3) to p2p filesharing, given that sharing is enabled by default and runs in the background? It seems like anyone could claim that they didn't know or intend to share. It's not like other knowledge requirements, where prosecutors can at least show that the defendants "reasonably should have known." Or is it?

Not that it would be a bad thing to effectively kill 106(3) for p2p, but I was just wondering what your thoughts were on actual practicality from the prosecutor's standpoint.

-Steve

-- StevenHwang - 10 Dec 2008

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-- DanielHarris - 05 Dec 2008

However, the main argument the recording industry would raise against my proposed reform is one which has so far failed to get much public sympathy. We need a “making available” right under § 106(3), says the argument, because proving infringement under the law is too hard. This argument, however, applies just as easily to cases of tangible copyright infringement on an equivalent small scale. When my classmates in Hong Kong made photocopies of reserve course books, they were mechanically reproducing tangible works and creating new tangible copies. This seems just as impractical to police as does networked peer-to-peer sharing, and it might even be more difficult. Yet, nobody argues that leaving a book on a desk constitutes an infringing act of “making available.” Although some might scoff at the idea that someone would bother to photocopy each page of a book, the majority of my classmates did this--with the aid of student workers, paid by the university, at the campus copy center. I have seen graduate students at Columbia using one of the rare scanners in the Columbia libraries to do functionally the same.

This illustrates a sort of threshold, in the tangible world, between small-scale infringement for personal use and large-scale activities attracting attention of copyright holders and law enforcement. When one user burns a copy of Windows XP and gives it to a friend, Microsoft is clueless (and probably appreciates the market share). When a business outfits an entire office with pirated copies of Windows, or when factories in China press copies for sale on the street, Microsoft takes notice. The assertion of a “making available” right and failure of courts to uphold due process lets the sinking recording industry lash out at the small-scale infringers among its dwindling clientele in a way that was impossible before our world of intangible works. No longer being able to use the lower burdens of § 106(3) as a strict-liability cudgel against small infringers would merely restore the natural balance in copyright enforcement.

When the record labels say they want to prevent the “theft” or “piracy” of music, much of the public is sympathetic. Despite music’s long and distinguished history as culture, in our society music has been commoditized, can be owned, bought and sold. To someone ignorant of recording industry economics, copyright infringement of music can easily be seen as taking money from the mouths of the proverbial starving artists.

-- DanielHarris - 14 Nov 2008

Some copyright reform trial balloons:

Fordham Judge Patel talk: http://blog.wired.com/music/2008/11/napster-judge-s.html

Lessig remix talk: http://www.youtube.com/watch?v=_yC81QhR_xk

Orphaned works (see Google Books)

Adding making available to §106.

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